When it comes to the world of photography, it’s all about
light. Without light you will just have
a black canvas.
There are things we can do to create powerful images even in
the lowest of light, but we have to have at least light available to us. How we use that available light whether it is
from a natural or artificial source is going to make or break an image. But to understand how to use light correctly
we have to understand the characteristics of light.
Quantity
Whether we are using natural or artificial light the first
thing we have to think about is the quantity of light. In other words how much light or better yet
the intensity of the light we are working with.
What kind of light do we have and how strong is the light source?
When you walk into a movie, you can’t see anything for the
first few minutes. You can’t even find
your seat. But in a few minutes your
eyes adjust.
Conversely when you walk out of a movie the sun is
overpowering making it hard to see.
When you walk into a movie that is like an underexposed
image. When you walk out of a movie that
is like an overexposed image.
Unlike our eyes, our camera can be adjusted instantly to
deal with this situation. But you have
to know how to make these adjustments based on the intensity or quantity of
light you are dealing with.
If you are shooting outdoors for example, late in the day or
early in the morning the quantity of light is less than it is in mid-day. This will affect how you expose your images
and the end result.
Quality
Quality of light is something a lot of photographers get
hung up on. While in most case soft
light or shooting during the golden hours when the quantity of light is lower
will typically provide the best image.
Contrary to popular opinion this type of light is not mandatory to
capture something captivating.
Light is typically broken up into soft and hard light.
Hard light would be a direct flash on your subject or a mid-day
sun. Hard light is typically characterized
by its hard shadows and blown out highlights.
But these effects from hard light can be used to your advantage to
create a dramatic effect in your image.
Soft light is typically more flattering creating softer
tones and curves. Aside from shooting at
the right time of day to get a softer light you can use what are commonly referred
to as modifiers. Modifiers are things
like diffusers that absorb and spread the light out on your subject to create a
less dramatic image and reduce shadows.
Color Temperature
Color temperature is something many new photographers
struggle with. Even though lite looks
clear to our human eye, all light sources emit a color cast that our camera
will pick up. That is why you camera has
different white balance settings. You
camera needs to know what is actually white in the image so it can correct the
rest of the colors to produce an accurate image.
Pictures are commonly referred to in terms like “warm” and “cool”.
Color temperature is measured on a Kelvin Scale from 1,000
which is warm and reddish to 10,000 which is blue and cold. Tungsten and florescent lights among others
are somewhere in the middle.
Most digital cameras these days do a good job in daylight
using auto white balance to create an accurate image. But when you are shooting in artificial
lighting most cameras struggle unless you set the white balance manually. For example when shooting a sporting event at
night the tungsten or florescent lights will make you image look blue or
green. By setting the white balance
correctly the camera is able to accurately process the colors.
This is where shooting in RAW is helpful because it allows
you more flexibility in post processing to correct the colors if they were not
accurate when you shot the picture.
Direction
The direction of light can make or break an image. Depending on the effect you are going for the
direction of the light can covey completely different messages in your picture.
You have the option of using backlight and silhouetting your
subject. Or you can use side light to
create a dramatic shadow. And of course
you can have the light source directly on your subject. Depending on the quantity and quality of the
light it may change where the direction you have the light source come from.
You can change the direction of the light by moving your
subject or by moving your light source if you are using artificial light. When shooting outdoors with natural light for
things like landscapes the only way to move your light source is to wait for
the sun to move through the sky.
Paying attention to the direction of light is something most
new photographers fail to do. But once
you learn to do this you will notice your images are significantly improved.
Look at some of your old images or go out and take some new
ones paying attention to these four characteristics of light. Be aware of how these affect your image
quality. After a while of consciously thinking
about these characteristics it will become second nature. Your pictures will be much better once you
master light. Controlling the light is
what separates amateurs from professionals.
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